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José-Maria Sicilia

"When I paint, I leave the background and I look for an agreement, peace, of the closest things."

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Notes of biography

Jose Maria Sicilia is born in Madrid (Spain) in 1954. He spends his childhood and adolescence under the dictatorship of Franco, then at its slow decomposition stage. In 1975, the year Franco dies, in the euphoric early days of the " movida ", he enters the School of Fine Arts of San Fernando in Madrid. Until 1979, he studies there architecture and then painting. In 1980 (as Miquel Barceló), he moves to Paris, where he becomes friends with Miguel Angel Campano, who has preceded him. It is in the climate of art questioning that shakes the Parisian ”milieu” of the time that Jose Maria Sicilia decides to become a painter.
He spends a few years in New York (1985-1986). Since 1982, he exhibits his works in group shows and exhibitions, at the very beginning in Paris.
Sicilia adheres to the movement of the return to the current materials of traditional painting technique, which means not aesthetics, nor figurative creation nor traditional themes. Sicilia expresses most often with large sizes pieces. The work he presents (in France, Spain and the United States) quickly earns him an international recognition.
Initially, each painting of Sicilia is based on a single subject (landscapes of Spain, Paris quarters, trunks of trees, trash cans, sardines, appliances, tools, mythological characters and animals) declined in series, the subject is only an excuse to a materialized pictorially actively thinking, thinking that the artist expresses in a sensory and emotional manner.
In a second phase, from 1985 and the series "Tulips and Flowers", Jose Maria Sicilia engages in a work of self-erasing that requires from the viewer an experience of time and a slowly immersion in the matter that is now painting.
The artist turns away from the subject, retaining only the color, the title and the dynamic of the lines, developing a work that can be described as abstract. The quality of the work comes then from the relationship between the line and the plane, the background and the shape, the color and the material.
 In 1987, the CAPC of Bordeaux and several Spanish museums dedicate to him an exhibition. Since then, numerous exhibitions present each year thematic units.
Traveling around the Mediterranean and India, Jose Maria Sicilia relates books of watercolors and brief notations. For fifteen years, in Soller, not far from Palma de Mallorca, and in his workshop in Malakoff, the artist creates prints, works on paper or beeswax (submitting to the experience of visibility and invisibility of the plastic image), terracotta sculptures, installations and bibliophiles books.
Representing the historical framework of Post-Modernity, with Juan Muñoz and Miquel Barceló, Sicilia is part of the exhibition "From Picasso to Barceló, the Spanish artists" at the Pierre Gianadda Fondation (Martigny, 2003).

Artists on display

The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.

Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.

We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.

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Complete work(s)

Complete work(s)
Non réalisé à ce jour. All the complete works

Bibliographic track and more

To read about the artist :
  • « Entre matière et géométrie », R. T. Bellido, in Beaux-Arts mag., n°50, 1987
  • « J. M. Sicilia : Peintures de 1987 », Ed. Palacio de Velazquez, Madrid, 1987
  • « Recent paintings », J. Gambrell, cat. d’expo., Blum Helman Gallery, N.Y., 1987
  • « J. M. Sicilia », A. Ninyarola, cat. d’expo., Gal. Joan Prats, Barcelone, 1990
  • « J. M. Sicilia », cat. d'expo., Ed. Galleria Gian Ferrari, 1995
  • « Je vous ai tant aimés… », coll., Ed. Capc, Musée d'art contemporain de Bordeaux, 1995
  • « J. M. Sicilia », in Ninety, Art des années 90, N°27, Ed. Flohic, 1998
  • « J. M. Sicilia », monographie, Ed. Capc -Musée d'Art Cont., 2000
  • « J. M. S. 1998-2008 », L. Busine, cat. d’expo., Ed. Nagasaki Art Museum, 2008
  • « J. M. Sicilia : Fukushima, Flores de invierno », Ed. Turner Publicaciones, 2013
To read from the artist :
  • « Journal poétique », in Artabsolument, n° 3, nov. 2002
  • « J. M. S. : Accidens », José Oliver, Prod. Arte10.com, Gal. Soledad Lorenzo, Madrid 2012
Website :
No website dedicated to the artist.

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Beyond works currently in stock, it seemed to me useful to combine business with pleasure by letting you discover others works by artists in my gallery. These artworks, now sold or removed from our website, have been in our stock in the past.

These pages will undoubtedly make it possible for some of you to associate an image with its title or the other way round, for others it will be a good time to discover more on such and such artist. For the sake of confidentiality – the pieces being no longer available – we won't display neither their numbering or their price. For whatever reason, make sure to visit this amazing art database with to date 6441 online works just for your pleasure! Michelle Champetier

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