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Richard Bilan
The painter-engraver-sculptor Richard Bilan was born in 1946 in Krakow (Poland). In 1968, he emigrated to Israel where he attended the Bezalel Academy of Fine Arts in Jerusalem, graduating in 1973. He was awarded the Sharet Foundation Prize and a scholarship for artistic creation from the French government. From 1974 to 1976, Richard Bilan continued his training at the Ecole Nationale Supérieure des Arts Décoratifs in Paris, a school specializing in visual communications...
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Biography of Richard Bilan
The painter-engraver-sculptor Richard Bilan was born in 1946 in Krakow (Poland). In 1968, he emigrated to Israel where he attended the Bezalel Academy of Fine Arts in Jerusalem, graduating in 1973. He was awarded the Sharet Foundation Prize and a scholarship for artistic creation from the French government. From 1974 to 1976, Richard Bilan continued his training at the Ecole Nationale Supérieure des Arts Décoratifs in Paris, a school specializing in visual communications and graphic art. Through his work, Richard Bilan reveals and describes his travels, his loves, his encounters, his friends, his tragedies and his heroes. In constant search of images and sensations, his sensitivity allows him to feel what surrounds him or to describe a universe most often invisible to the uninitiated. An eternal traveler between three countries of which he feels a citizen (Poland, Israel, France), Richard Bilan navigates between reality and the past, between middle age and childhood. Many of his works are in the collection of the Bibliothèque Nationale de Paris, the Musée de Tour in France, the Museum of Israell, the Klodzko Museum (Poland), as well as in numerous international private collections.The artist writes "Everything inspires me. There is no object, no thing, no blade of grass that would not have a soul worthy of a portrait" or "I navigate between reality and the past, middle age and childhood, I am an eternal traveler between three countries of which I feel a citizen."
Voir & découvrir
Beyond works currently in stock, it seemed to me useful to combine business with pleasure by letting you discover others works by artists in my gallery. These artworks, now sold or removed from our website, have been in our stock in the past. These pages will undoubtedly make it possible for some of you to associate an image with its title or the other way round, for others it will be a good time to discover more on such and such artist. For the sake of confidentiality – the pieces being no longer available – we won't display neither their numbering or their price. For whatever reason, make sure to visit this amazing art database with to date 6441 online works just for your pleasure! Michelle Champetier
The works presented on this page are not available anymore.
Single work 
Seated figure
Circa 1978 Original drawing, ink, pencil, gouache and watercolor, signed in pencil by the artist. Without
Two figures II
Cirtca 1973 Original linocut, signed in pencil by the artist. Without
Character VI
Cirtca 1973 Original linocut, signed in pencil by the artist. Without
Characters
Circa 1975 Original etching, signed in pencil by the artist. Without
Abstract...
Circa 1973 Original screenprint, signed in pencil by the artist. Without
Abstract...
Circa 1973 Original etching and carborundum, signed in pencil by the artist. Without
Chairs
Circa 1970 Original etching, signed in pencil by the artist. Without
Composition VIII
Circa 1975 Original etching, signed in pencil by the artist. Without
Composition VII
Circa 1970 Original etching, signed in pencil by the artist. Without
Character V
Circa 1973 Original linocut, signed in pencil by the artist. Without
Reclining figure
Circa 1970 Original woodcut, signed in pencil by the artist. Without
Composition VI
Circa 1975 Original etching, signed in pencil by the artist. Without
Composition V
Circa 1975 Original screenprint, signed in pencil by the artist. Ed. Atelier de l'âne qui brosse. Without
Landscape
Circa 1975 Original etching, signed in pencil by the artist. Without
Character IV
Ca 1973 Original linocut, signed in pencil by the artist. Without
Character III
Ca 1973 Original linocut, signed in pencil by the artist. Without
Character II
Ca 1973 Original linocut, signed in pencil by the artist. Without
Character I
Ca 1973 Original linocut, signed in pencil by the artist. Without
Abstract composition
Circa 1973 Original screenprint, signed in pencil by the artist. Atelier de l'âne qui brosse Ed., Mezels. Without
Character butterfly
Ca 1973 Original linocut, signed in pencil by the artist. Without
Composition IV
Circa 1973 Original etching, signed in pencil by the artist. Without
Composition III
Circa 1973 Original etching, signed in pencil by the artist. Without
Person on a bike
Circa 1973 Original linocut, signed in pencil by the artist. Without
Two figures I
Ca 1973 Original linocut, signed in pencil by the artist. Without
The Circus
Circa 1973 Original etching, signed in pencil by the artist. Without
Composition II
Circa 1973 Original etching, signed in pencil by the artist. Without
Composition I
Circa 1973 Original etching, signed in pencil by the artist. Without
Figure
Circa 1973 Original woodcut, signed in pencil by the artist. WithoutCatalogue(s) raisonné(s)
Catalogue(s) raisonné(s)
Not realised. All the "catalogues raisonnés"Bibliographic track & more
To read from or about the artist :
* « Les Chameaux du Myope », André Coryell, illustrations de l'artiste, Ed. Les Impénitents, Paris, 1977* « Richard Bilan », catalogue d'exposition, Galerie 86, Lodz, Pologne, 1990
* « Four Israelles in Paris », catalogue d'exposition collective, Galerie Engel, Tel aviv, 2004
* « Art contemporain Israélien », catalogue de vente, Pierre Bergé et associés, 2010
Website :
No website dedicated to the artist.Stamp :
No stamp made.Valuation - Brokerage
If you wish to offer an artwork by this artist or get an appraisal, please feel free to contact us.
Artists on display
The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.
Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.
We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.
