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Born in 1918 in Rome, Remo Brindisi first studied at the Fine Arts School in Penne, where his father taught woodcarving, then in L'Aquila and in Rome. He obtained a scholarship to study at the Fine Arts School in Urbino, where he graduated in the engraving section. The young artist then made numerous trips throughout Europe, before settling in Milan. He participated many times in the Venice Biennale, as well as in the Rome Quadrennial. His first solo exhibition was held in Florence in 1941; the...
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Biography of Remo Brindisi
Born in 1918 in Rome, Remo Brindisi first studied at the Fine Arts School in Penne, where his father taught woodcarving, then in L'Aquila and in Rome. He obtained a scholarship to study at the Fine Arts School in Urbino, where he graduated in the engraving section. The young artist then made numerous trips throughout Europe, before settling in Milan. He participated many times in the Venice Biennale, as well as in the Rome Quadrennial. His first solo exhibition was held in Florence in 1941; the catalog of this exhibition contains a preface by Eugenio Montale. In 1950 Remo Brindisi was part of the Milanese realist and poetic group "Linea" (with artists such as Gianni Dova, Kodra, Meloni, Paganin, Porzio, Quasimodo, Joppolo and Tullier). Among the recurring themes of his work: "Venice", "The Opponents" or "Motherhood". With a very good "official" reputation, Remo Brindisi obtained many awards during his long artistic life. He died in 1996.
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Catalogue(s) raisonné(s)
Catalogue(s) raisonné(s)
* « Catalogo generale delle opere di Remo Brindisi », 3 Vol., Ed. Galleria Pace, Milan, 1995, 1998 et 2013 All the "catalogues raisonnés"Bibliographic track & more
To read from or about the artist :
* « Remo Brindisi, una figurazione panica », collectif, Ed. La Nuova Foglio, 1975* « Remo Brindisi: du réalisme à la nouvelle figuration », Ed. E. Fabiani, Bora, 1976
* « Remo Brindisi, Punto e linea », Ed. La memoria del Tempo, 1987, Milan
* « Remo Brindisi - Opere dal 1936 al 1993», Gallo Francesco, Ed. Centro Arte, Milan, 1993
* « Remo Brindisi », Elena Lissoni, Ed. Fondation Cariplo, Milan, 2010
Website :
No website dedicated to the artist.More :
A tribute to Remo Brindisi
Le peintre italien Remo Brindisi est mort à Lido di Spina (Ferrara) au coeur de l'été, le 25 juillet 1996, non loin de la plage de cette petite cité provinciale ; il avait 78 ans. Il repose, sous une dalle de verre étincelante de modernité, dans le jardin de sa maison-musée de Lido di Spina, ombragé par de grands pins. En son hommage, cette fleur blanche.
"Remo Brindisi est un grand peintre pour sa force poétique quasi sauvage, une force où s'expriment, sans aucune concession picturale, les conditions tragiques de l'homme." - André Verdet
"La liberté de Remo Brindisi est devenue une expression singulière, une position de soliste à la place du groupe, un chant plutôt qu'une chorale, une intériorité." - Claudio Rizzi
"Pendant la polémique des années quarante, entre « réalistes » et « abstraits », Remo Brindisi prit une position franche en adhérant au Groupe Linea dont les artistes ont la volonté commune d'approfondir au-delà de chaque schématisme idéologique une recherche autonome." - Anonyme
"Le Novecento est riche de personnalités fortes et indépendantes, capables de traverser une époque dense en événements et changements soudains, en drames issus de tensions, illusions et fractures. Remo Brindisi est un des artistes les plus aigus et incisifs de l'interprétation de leur époque." - Claudio Rizzi
"L'idée de donner vie au musée est née du souhait d'y réunir mes oeuvres dans un environnement spécialement dédié. " - Remo Brindisi
"Le grand mérite de Remo Brindisi est d'avoir souligné le vide de l'homme d'aujourd'hui. Le vide est le sens de la forme. " - Anonyme
Stamp :
No stamp made.Art movements
- + NEW FIGURATION / 1960-1980 / Gilles Aillaud, Christian Babou, John Christoforou, Leonardo Cremonini, François Jousselin, Maryan S. Maryan, Bernard Recalcati, Gérard Tisserand, etc.
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Artists on display
The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.
Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.
We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.
