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Mario Avati

I like to highlight black!

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Mario Avati was both an etcher and a painter born in Monaco in 1921. In 1947, after studying at the National School of Decorative Arts in Nice at the Higher National School of Fine Arts in Paris, Mario Avati practiced all of the etching techniques. Ten years later, he is exclusively working with mezzotint, first in black, than from 1969, in colors. This meticulous and delicate technique gives to artworks a great depth and creates a sort of unreal space from which a pattern emerges. The artist...

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Voir & découvrir

Beyond works currently in stock, it seemed to me useful to combine business with pleasure by letting you discover others works by artists in my gallery. These artworks, now sold or removed from our website, have been in our stock in the past. These pages will undoubtedly make it possible for some of you to associate an image with its title or the other way round, for others it will be a good time to discover more on such and such artist. For the sake of confidentiality – the pieces being no longer available – we won't display neither their numbering or their price. For whatever reason, make sure to visit this amazing art database with to date 6441 online works just for your pleasure! Michelle Champetier

The works presented on this page are not available anymore.
Original signed mezzotint de  : Bris de bol
Bris de bol
1996 Original mezzotint, titled, dated and signed (monogram) in pencil by the artist. Passeron Vol. VII n° unknown
Original signed mezzotint de  : La Belle envolée
La Belle envolée
1985 Original mezzotint in colors, numbered, titled, signed and dated in pencil by the artist. Without
Original signed mezzotint de  : L'as de pique
L'as de pique
1980 Original mezzotint in colors, dedicated, titled, signed and dated in pencil by the artist. Passeron
Original signed mezzotint de  : La parabole de la lune bleue
La parabole de la...
1986 Original mezzotint in colors, numbered, titled, signed and dated in pencil by the artist. Without
Original signed mezzotint de  : Bris de bol
Bris de bol
1996 Original mezzotint, titled, dated and signed (monogram) in pencil by the artist. Passeron Vol. VII n° unknown
Signed lithograph poster de  : Affiche pour l'exposition à la Galerie Badinier
Affiche pour...
1953 Original poster, lithograph, signed and dated in pencil by the artist, made for the exhibition of the artist at Galerie Simone Badinier, Paris. Passeron n°126
Original signed mezzotint de  : Les radis de mars
Les radis de mars
1974 Original mezzotint in colours, numbered, titled, signed and dated in pencil by the artist. Here, a proof of the 4rd state. Passeron n°502
Original signed mezzotint de  : Le guéridon de Venise
Le guéridon de...
1975 Original mezzotint, numbered, titled, signed and dated in pencil by the artist. Passeron n°516
Original signed etching de  : Anémones
Anémones
1957 Original etching, numbered, titled, dated and signed in pencil by the artist. Here a proof of the 6th state before "acierage". Passeron n° 221
Original signed mezzotint de  : Le train des Pignes
Le train des Pignes
1969 Original mezzotint in color, numbered, titled, dated and signed in pencil by the artist. Here, a proof of the 4th state. Passeron n°406
Original signed aquatint de  : La curieuse
La curieuse
1951 Original aquatint, titled, signed, dated and dedicated in pencil by the artist. Passeron Vol. I n° 59
Original mezzotint de  : Unknown title, Bowl and cherries
Unknown title, Bowl...
1999 Original mezzotint in colors, unsigned. Unknown
Original signed mezzotint de  : Une théorie de dominos
Une théorie de...
2001 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Without
Original signed mezzotint de  : La ballade de Montmorency
La ballade de...
1987 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and initialled in pencil by the artist. Without
Original signed mezzotint de  : Des papillons, des anémones
Des papillons, des...
1998 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Without
Original signed mezzotint de  : Jamais trois sans quatre
Jamais trois sans...
2001 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Without
Original signed mezzotint de  : Le pinson chapardeur
Le pinson chapardeur
1985 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Without
Original signed mezzotint de  : Après le déluge
Après le déluge
Circa 2000 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Without
Signed poster de  : Jaques Matarasso Gallery
Jaques Matarasso...
1986 Poster of the exhibition of the artist "Gravures à la manière noire en couleurs" in the Jacques Matarasso Gallery, Nice. Here, a proof dedicated,... Without
Original signed mezzotint de  : Le Zèbre de Kanagawa
Le Zèbre de...
2001 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Without
Original signed mezzotint de  : Novembre déjà
Novembre déjà
1996 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Passeron, L'oeuvre gravé 1991-1999, n°770
Original signed mezzotint de  : Pour un Baladin
Pour un Baladin
1996 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Passeron, L'oeuvre gravé 1991-1999, n°770
Original signed mezzotint de  : Le flacon de Tequila
Le flacon de Tequila
2002 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Without
Original signed mezzotint de  : Thé citron, svp
Thé citron, svp
1998 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and initialled in pencil by the artist. Passeron, L'oeuvre gravé 1991-1999, n°810
Original signed mezzotint de  : L'autre coté
L'autre coté
1997 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Passeron, L'oeuvre gravé 1991-1999, n°785
Original signed mezzotint de  : Le matin Printemps
Le matin Printemps
1994 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and signed in pencil by the artist. Passeron, L'oeuvre gravé 1991-1999, n°752
Original signed mezzotint de  : La table du confiturier
La table du...
1998 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Passeron, L'oeuvre gravé 1991-1999, n°806
Original signed mezzotint de  : L’envolée bleue
L’envolée bleue
1999 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Passeron, L'oeuvre gravé 1991-1999, n°817
Original signed mezzotint de  : Regarde, les nuages
Regarde, les nuages
1997 Original mezzotint in colours, titled, dated, annotated "Bon à tirer" and monogramed in pencil by the artist. Passeron, L'oeuvre gravé 1991-1999, n°753
Original signed mezzotint de  : Lemons
Lemons
1987 Original mezzotint, signed and dated in pencil by the artist. Without
Original signed mezzotint de  : La lettre tant attendue
La lettre tant...
1987 Original mezzotint, titled, dated and signed (monogram) in pencil by the artist. Passeron Vol. VI n° unknown

Catalogue(s) raisonné(s)

Catalogue(s) raisonné(s)
All the "catalogues raisonnés"

Bibliographic track & more

To read from or about the artist :
* « Mario Avati »,  in Les Cahiers d'Art-Documents, n°96, Ed. Pierre Cailler, Genève, 1958
* « Mario Avati », catalogue d'exposition, Tokyo Shimbun et Chunichi Shimbun, 1977
* « Mario Avati. Dessins Pastels 1936-2000 »,  D. Daguet, Ed. Malbodium Museum, 2000
* « Hommage à Mario Avati », Roger Passeron, Roland Plumart, Ed. Malbodium Museum, L'Arsenal, Maubeuge, 2010

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Artists on display

The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.

Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.

We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.

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