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Jeanneret Le Corbusier
To be sensitive is to be conscious, contrary to a commun description of sensitivity.
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- Jeanneret Le Corbusier
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Charles-Edouard Jeanneret was born in 1887 in La Chaux-de-Fonds, in the Swiss Jura. Very early he tended for the painting, but had intended himself for the architecture. He would be the architect whom we know. We have to place his painting and drawing-learning years between 1907-1911, years during which he traveled in Europe; Le Corbusier, who took definitively this pen name in 1928, left . . .
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The works presented on this page are not available anymore.
Le poème de...
1955 Original lithograph in colors, unsigned, plate 20 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 19 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 18 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 17 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 16 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 14 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 12 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 11 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 10 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 9 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 6 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 5 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 4 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 3 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in colors, unsigned, plate 2 of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Le poème de...
1955 Original lithograph in three colors, unsigned, cover of the suite with wide margins « Le Poème de l’angle droit », printed by Mourlot Frères.... Monod n° 7016
Femme dans...
1933 Drawing (pastel and pencil), signed and dated in pencil by the artist in lower margin, laid down by the artist on a stronger sheet, and dedicated and... Certificate of authenticity n° 07-36 from Mr Eric Mouchet, dated May 15th 2007
Unité, Plate 4a
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck. Mazo Ed., Paris. Without
Corbu centenaire
1987 Poster, original lithograph, for the artist’s exhibition at the Salle des fêtes of Roquebrune Cap-Martin Without
Le Corbusier –...
1960 Poster printed in lithograph for the exhibition of the artist in the Gallery La Demeure, Paris. Without
Le Corbusier...
1963 Poster, printed in lithograph, for the exhibition of the artist to the Chateau Felletin Church, Creuse. Without
Musée National...
1962 Poster printed in lithograph by Mourlot, for the exhibition of the artist to the Musée National d'Art Moderne, Paris. Without
Le verre à côtes...
1962 Lithograph, signed in the plate, extracted from the portfolio "La mer est toujours présente". Forces-Vives publisher, Geneva. Without
Woman with raised...
1954/62 Original lithograph, signed in the stone by the artist. Printed by Mourlot and published by Heidi Weber. Heidi Weber p. 60
La main ouverte
1963 Lithograph in colors, signed and dated in the stone. Heidi Weber Ed., Zurich. H. Weber p. 19, Le Corbusier "Oeuvre lithographique" n° 13
Taurus XVII
1963 Original lithograph, signed and dated in the stone. Editions Heidi Weber, Zürich. Cat. "Le Corbusier The Graphic Work", p. 77
Composition VI
1963 Lithograph, signed and dated in the stone by the artist. Without
Athlète 7
1921/1964 Original lithograph, signed in stone. Ed. Heidi Weber, Zürich. Heidi Weber p. 88 and 89
The open hand
1963 Original lithograph, signed in pencil by the artist. Ed. Heidi Weber, Zurich. Heidi Weber p. 18 and 19
Chute de Barcelone
1939/1960 Original lithograph, signed in the stone by the artist. Ed. Heidi Weber, Zürich. Heidi Weber p. 96
Woman with raised...
1954/62 Original lithograph, signed in the stone by the artist. Printed by Mourlot and published by Heidi Weber. Heidi Weber p. 60
Unité, Plate n°5
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, Plate n°20
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Deux personnages
1938 Photolithograph, signed in pencil by the artist, extracted from the portfolio "Oeuvre plastique - Peintures et Dessins - Architecture". Ed. Albert... Without
Trois nus
1938 Photolithograph, signed in pencil by the artist, extracted from the portfolio "Oeuvre plastique - Peintures et Dessins - Architecture". Ed. Albert... Without
Le Modulor
1950/1956 Original lithograph in colors, signed in the plate. Weber n° 58
Unité, Planche n°1
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck. Mazo Ed., Paris. Without
Le Modulor
1950/1956 Original lithograph in colors, signed in the plate. Weber n° 58
Tapisseries
1956 Original poster, signed and dated in the plate, for the exhibition of the artist "Tapisseries" (Tapestries) in the Gallery La Demeure, Paris. Poster... Without
Le dénouement ou...
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux IV
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux XVII
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux XVI
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux XV
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux XII
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux XI
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux IX
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux VII
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux XIV
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux XIII
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux VI
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux X
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux V
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Without
Entre-deux III
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Without
The open hand
1963 Original lithograph, signed and dated in the stone. Editions Heidi Weber, Zürich. Cat. "Le Corbusier The Graphic Work", p. 19
Devinez vous-même
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Geneva. Without
Danseuse
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Geneva. Without
Composition V
Circa 1955 Original unsigned lithograph. Without
Entre-deux VIII
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Forces-Vives Ed., Geneva. Non référencée dans le Heidi Weber
Modulor
1950/1956 Original lithograph in colors, signed in the plate. Weber n° 58
Entre-deux 17
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux, book
1964 Book in sheets under folded up cover and case entirely composed and illustrated by Le Corbusier, with 17 original prints in black, unsigned. Editions... Monod n°7014
Modulor
1950/1956 Original lithograph in colors, signed in the plate. Weber n° 58
Entre-deux III
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Forces-Vives Ed., Geneva. Not referenced in Heidi Weber
Entre-deux XIII
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Forces-Vives Ed., Geneva. Not referenced in Heidi Weber
Entre-deux VI
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Forces-Vives Ed., Geneva. Not referenced in Heidi Weber
Entre-deux III
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Forces-Vives Ed., Geneva. Not referenced in Heidi Weber
Entre-deux XV
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Forces-Vives Ed., Geneva. Not referenced in Heidi Weber
Interval I
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Forces-Vives Ed., Geneva. Not referenced in Heidi Weber
Unité, Print n°16
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the portfolio "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, Print n°17
1965 Original etching and aquatint, signed (monogram) in copper, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, print n°15
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, print n°14
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, print n°13
1965 Original etching and aquatint, signed (monogram) in copper, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, print n°12
1965 Original aquatint, signed (monogram) in copper, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, print n°11
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, print n°10
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the portfolio "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, print n°9
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, print n°11a
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, print n°7
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the portfolio "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, print n°6
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, Planche n°5
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, Planche...
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, Planche n°3
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, Planche n°2
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Unité, Planche n°1
1965 Original etching and aquatint, signed in pencil by the artist, extracted from the book "Unité", printed by Crommelynck, Mazo Ed., Paris. Without
Entre-deux VII
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux XIII
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in the Heidi Weber
Entre-deux III
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referenced in Heidi Weber
Entre-deux VI
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referred in Heidi Weber
Entre-deux XIV
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referred in Heidi Weber
Entre-deux X
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referred in Heidi Weber
Three characters
1952 Original lithograph, signed in pencil, extracted from the portfolio "Centenaire de l'atelier Mourlot". Mourlot Ed., Paris. Without
Small Confidences
1957/1960 Portfolio with 10 original etchings on rhodoid, printed on black, page of justification signed and numbered in pencil by the artist. Ed. Mourlot,... Heidi Weber p. 44 to 47
Panurge series
1961/1962 Portfolio with 5 original etchings on rhodoid, printed on black, page of justification signed and numbered in pencil by the artist. Ed. Mourlot,... Heidi Weber p. 48 to 51
Magic
1960 Original lithograph, signed in the stone. Ed. Heidi Weber, Zürich. Heidi Weber p. 94
I dreamed
1960 Original lithograph, signed in the stone. Ed. Heidi Weber, Zürich. Heidi Weber p. 92
The three aperitif...
1960 Original lithograph, signed in the stone. Ed. Heidi Weber, Zürich. Heidi Weber p. 100
Game
1960 Original lithograph, signed in the stone. Ed. Heidi Weber, Zürich. Heidi Weber p. 98
Fall of Barcelona
1939/1960 Original lithograph, signed in the stone. Ed. Heidi Weber, Zürich. Heidi Weber p. 96
Athlete 7
1921/1964 Original lithograph, signed in pencil. Ed. Heidi Weber, Zürich. Heidi Weber p. 88
Crossed hands
1954/1964 Original lithograph, signed in pencil. Ed. Heidi Weber, Zürich. Heidi Weber p. 86
Icon 8
1964 Original lithograph, signed in pencil. Ed. Heidi Weber, Zürich. Heidi Weber p. 85
Taurus 6
1931/58/64 Original lithograph, signed in pencil. Ed. Heidi Weber, Zürich. Heidi Weber p. 87
Unité - 14
1965 Original etching, aquaforte and aquatinte, signed in pencil. Work 14 from the book "Unité", Mazo and Cie Ed., Paris. Without
Drawing, The open...
1951 Drawing in charcoal, colored wax, watercolor and gouache, signed and dedicated in pencil in lower right by the artist ("Pour Pierre Jeanneret, avec... Forthcoming certificate by Mr Jornod.
Oeuvre plastique
Circa 1940 Portfolio in-4 (23 x 28 cm), with an illustrated book which contains an introduction by J. Badovici and text by Le Corbusier, and 40 plates of... Without
Interval XVI
1964 Original lithograph, signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Geneva. Not referred in Heidi Weber
Interval XI
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Genève. Not referred in Heidi Weber
Interval IX
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Genève. Not referred in Heidi Weber
La cruche
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Genève Not referred in Heidi Weber
Le verre à côtes
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Genève Not referred in Heidi Weber
Modulor
1950/1956 Original lithograph in colors, signed in the plate. Weber n° 58
Model, the open...
1954-1964 "Opened Hand", "To receive and give", plaster model ordered by Corbusier to Andre Maisonnier. Carry on the verso the inscription "appartient à... Without
Poème de l'Angle...
1955 Original unsigned lithograph, extracted from the book "Poème de l'Angle droit". Ed. Tériade. Without
Woman with raised...
1954/62 Original lithograph, signed in the stone but also exceptionally signed in pencil by the artist "Paris, Le Corbusier". Printed by Mourlot and... Heidi Weber p. 60
Poème de l'Angle...
1955 Original unsigned lithograph, extracted from the book "Poème de l'Angle droit". Ed. Tériade. Without
Poème de l'Angle...
1955 Original unsigned lithograph, extracted from the book "Poème de l'Angle droit". Ed. Tériade. Without
Composition IV
1952 Original lithograph, signed in the stone. Without
The open hand
1963 Original lithograph, signed and dated in the stone. Published by Ed. Heidi Weber H. Weber p. 19, Le Corbusier "Oeuvre lithographique" n° 13
Interval XII
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Genève. Not referred in Heidi Weber
Interval V
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Genève. Not referred in Heidi Weber
Interval II
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Genève. Not referred in Heidi Weber
Les dés sont jetés
1935-1959 Original lithograph, monogramed and dated in the stone. Heidi Weber n° 62
Reclining women
1935-circa 1960 Lithograph after Le Corbusier, signed and dated in the stone Without
Composition II
1952 Original lithograph, signed in the stone. Without
Composition I
1952 Original lithograph, signed in the stone. Without
Composition III
1962 Original lithograph, signed in the stone. Without
Autrement que sur...
1950/1956 Original lithograph in colors, signed in the plate. Weber n° 58
Guess yourself
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Genève Not referred in Heidi Weber
Dancer
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Genève Not referred in Heidi Weber
Long volant
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Genève Not referred in Heidi Weber
Glass
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Genève Not referred in Heidi Weber
The child is there
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Genève Not referred in Heidi Weber
Waves
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Genève Not referred in Heidi Weber
Interval
1964 Lithograph signed in the stone, extracted from "Entre-deux ou propos toujours reliés". Ed. Forces-Vives, Genève. Not referred in Heidi Weber
Sat
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Genève Not referred in Heidi Weber
Good evening
1962 Lithograph signed in the stone, extracted from "La mer est toujours présente" (The sea is always present). Ed. Forces-Vives, Genève Not referred in Heidi Weber
Icon 8
1964 Original lithograph, signed in pencil Weber p.85
Composition
1964 Original work, gouache, collage and ink on paper, signed by monogram, dated dated in bottom on the left. Without
Still life
1930/1947 Original etching, signed in pencil in lower left, plate engraved in 1930 and 1947, printed in 1960. A dedicace in pencil : « Pour le Dr Vergas, avec... Heidi Weber page 24Catalogue(s) raisonné(s)
Catalogue(s) raisonné(s)
Bibliographic track & more
To read about the artist :
- « Le Corbusier », MAM de la ville de Paris, 1962
- « Le Corbusier lui-même », C. Petit, Rousseau Ed., Genéve, 1970
- « Le Corbusier, savina », coll., Ed. P. Sers / Fondation Le Corbusier, 1984
- « Le Corbusier, une encyclopédie », MNAM, Paris, 1987
- « Le Corbusier », cat., d'expo. Galerie Zlotowski, Paris, 2004
- « Le Corbusier - L'oeuvre plastique », Françoise Ducros, Ed. de La Villette, 2005
- « Le Corbusier ou la synthèse des arts », Cäsar Menz, Ed. Skira, 2006
- « Le Corbusier le Grand » (architecture), collectif, Ed. Phaidon, 2008
- « Le Corbusier expose », Isabel Maria et autres, Silvana Ed., 2011
- « Le Corbusier - Peintre à Cap-Martin », Tim Benton, Ed. CMN, 2016
To read from the artist :
- « Après le cubisme », avec Amédée Ozenfant, Ed. des Commentaires, 1918
- « L'atelier de la recherche patiente », Fage Ed., 2015
Website :
www.fondationlecorbusier.asso.frMore :
Stamp by Jeanneret Le Corbusier
The publication of a postal stamp is often a homage paid by a nation to a place, an event, a remarkable cause or a character which count. The painters and other artists do not escape from this rule. Some are however "forgotten" of postal art. Here, gathered below (French or foreign), emitted stamps (206) or simple studies of stamp (224) in homage to the artists represented on our website. The first French stamp was emitted in 1849, England preceded us by ten years. There is often a share of voyage in this small form of shape paper. The stamp circulates, sails, flies away, it makes dream, then dream a little. M.C.
When the stamp is really emitted, the artist name is preceded of an asterisk (*).
It is certain that we do not know each stamp emitted for such or such artist; do not hesitate with us to make known them!
Discover all stampsArtist's dedicated book

B. Viarouge Collection / This document is not for sale
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Artists' viewpoints

To be sensitive is to be conscious, the opposite of what we want to attribute to sensitivity. Le Corbusier
A tribute to Jeanneret Le Corbusier

Au pied de la maisonnette qu’il a construite de ses mains, Le Corbusier se noie lors de l’une de ses baignades méditerranéennes le 27 août 1965. Le 1er septembre, des obsèques officielles se tiennent dans la Cour Carrée du Louvre. Charles-Edouard Jeanneret, dit Le Corbusier, repose dans le cimetière de Roquebrune Cap-Martin (Alpes-Maritimes), face à la mer, dans la tombe qu’il a lui-même dessinée. Nous avons choisi une fleur de cactus, une grande pureté dans un environnement d’épines.


"L'architecture, c'est une tournure d'esprit et non un métier." - Le Corbusier

"Reconnais cette main ouverte, la main ouverte comme un signe de réconciliation, ouverte pour recevoir, ouverte pour donner." - Le Corbusier

"Je découvrais Le Corbusier. Il était révélé par ses mains. Des mains qu’on aurait cru dessinées par lui-même, avec ce trait fait de mille petits traits successifs qui semblaient se chercher, mais finalement délimitaient la ligne précise et exacte." - Amédée Ozenfant

"Le purisme attribue de l’importance à conserver aux objets les normes de leur constitution ; il choisit donc ses points de départ de telle sorte qu’ils agencent entre eux normalement" - Le Corbusier

"Je me souviens de notre première rencontre. On me l’avait dépeint comme un homme fermé, distant, presque arrogant, l’homme comme l’artiste que je rencontrai en août 58 dans une petite cabane à Cap Martin était amical, attentif, ouvert et aimable." - Heidi Weber (Auteur du Catalogue Raisonné)

"Toute sa vie fut une grande main ouverte. Parfois il la referma sur le secret de lui-même." - André Wogenscky
Mouvements de l'art
- + PURISM / 1920-1927 / Marcelle Cahn, Otto Gustav Carlsund, etc.
Valuation - Brokerage
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