Our glance at
TanagraSee the works
The artist emerges from the shadows, participating in her first group exhibitions (the Biennial of Young Mediterranean painting - Ponchettes Gallery, Nice) before her personal exhibitions are organized. The art of Tanagra is rooted in the history of her own life, her upbringing and her experiences; she draws her vocation in the history of the ancients. Her world, an exploration of the interior, bathes in the mystery (this is an infinite aspect of reality). "My approach is philosophical and is inspired by secular and sacred. It is a painting inhabited by a surreal mind," writes Tanagra.
The artist is considered to be unclassifiable and off trend, forges her own writing, somewhere in between classical and contemporary. The foundations of her practice of painting are the clear-obscure (a method developed in the Renaissance), the work on shadow and light; and the “glacis” (glazing technique which allows her to obtain transparency and depths), a path parallel and solidary, comes to her at the beginning of 2000.
The “glacis” of Tanagra, sober and very deep, are made of a remarkable intensity; her white or pale yellow arise gradually from blacks and browns, creating a dimension that fluctuates between past and future, between real and unreal.
Tanagra participates in the elaboration of two works done in collaboration with the poet Pascal Payen Appenzeller ("Dans les sables des sommeil", Ed Tipaza, Cannes, 1998 and "Les ombres nous envahissent", Ed. Le Dormeur du Val, 2001).
Tanagra likes cats; her life is lonely (Isn’t she used to say that she married the painting?); she lives and works in Vallauris (Alpes-Maritimes).
She is part of "L'Atelier 49" which organizes events on contemporary art, whether visual arts, music, poetry and publishing.
"Shrine of clear-obscure. Theater of hope and despair, writing about impulses and a memory that weaves its web over the darkness," writes Tanagra.