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Jean Deyrolle

"In painting there is a connection and a scene."

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Notes of biography

Jean Deyrolle was born in Nogent-sur-Marne, France in 1911, where his father, who was a military doctor, was stationed. His family is Breton and they will settle in Vannes when he is only a few months old. They move to Quimper, then to Concarneau after the death of his father when he is 13. His grandfather is a painter. In 1929, Jean Deyrolle enters the School of Art and Publicity in Paris. He follows a formation for 3 years; he starts engraving and produces his first lithographs and linocuts. He obtains his diploma and abandons the busyness of Paris and moves back to Concarneau. He starts to paint and travels throughout Brittany, making studies of still-lives and painting the countryside.
Having obtained a grant Jean Deyrolle leaves for Morocco, where thanks to some exhibitions of his work, he manages to stay for several years. He meets up with his cousin and childhood friend, Jeannine Gilou, and meets her companion Nicolas de Staël. He travels with them, crossing the country, painting Moroccan themes. Jean Deyrolle comes back to Concarneau, in 1938 and uses his grandfather’s studio. The artist discovers the works of Paul Serusier. After he is demobilized in 1940, he often goes to Chateauneuf-du-Faou to visit with Mime Serusier, and to study the paintings and writing of the theoretician of the School of Pont-Aven.
In 1942 Jean Deyrolle moves to a studio in Paris on rue Daguerre, a studio where he will spend all of his time. He comes under the influence of Braque and Roger de la Fresnaye. He often sees Nicolas and Jeannine de Staël, and through them, he meets Andre Lanskoy. He pursues his research with determination. His meeting with Cesar Domela will help him little by little to liberate himself from figurative work.
It is in 1944 that the artist turns toward abstraction; he becomes friends with Alberto Magnelli, who will have a great spiritual impact on him. He then meets Jeanne Bucher who will buy his first non-figurative works. He participates in 1945 in the “Salon des Surindependents” and in the exhibition “Twenty years of Painting” at Jeanne Bucher’s gallery. The following year Deyrolle joins a group of abstract painters called the second generation who are founded around Denise Rene, but also with Dewasne, Marie Raymond, Schneider and Hartung. Soon Gilioli, Poliakoff and Vasarely join them.
Deyrolle converts a studio in the attic of a house near the ruins of Gordes. He will spend a lot of time here, joined by his friends. The first solo exhibition of Jean Deyrolle is organized in 1948 at the Denise Rene Gallery in Paris. This will be the first in a long series of solo exhibitions for the artist both in France and abroad. Jean Deyrolle will teach at the Academy Fernand Leger in 1953. It is during this period that the style of the artist, making his synthesis, frees himself. The first retrospective of the artist was organized in Brussels at the Palace of Fine Arts in 1956.
Jean Deyrolle was from 1959 to 1967 teacher at the Academy of the Art schools of Munich. He worked with unremitting effort until his death. He exhibits, paints, receives his distinctions, travels, and then moves permanently to Gordes in 1963.
Sick, his health gets worse in 1967. It was in this same year that he died in Toulon, where he underwent treatment.

Artists on display

The art and the artists display: proclamations, galleries, museums, personal or collective exhibitions. On walls or in shop windows, wise or rebels, posters warn, argue, show. Some were specially conceived by an artist for such or such event, other, colder, have only the letter.

Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.

We are happy also to be able to greet, by this pages, mythical galleries as those of Denise René, Louis Carré, Claude Bernard, Berheim Jeune, Maeght, Pierre Loeb and others.

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Complete work(s)

Complete work(s)
All the complete works

Bibliographic track and more

To read about the artist :
  • « Jean Deyrolle », in revue Cimaise n°7-8, juin-juillet-août 1956
  • « Jean Deyrolle », catalogue d'exposition, Ed. Galerie Denise René, Paris, 1966
  • « Deyrolle », L. Degand et G. Richar, Ed. Le Musée de Poche », Paris, 1974
  • « Une expérience spirituelle », J. Pfeiffer, Cahiers de la Peinture, déc. 1975
  • « Le long rêve de Jean Deyrolle », R. Bordier, in Cimaise, juillet 1976
  • « J. D., une peinture bien tempérée », J.-P. Geay, Ed. Les Amis de J. D., Sénanque, 1977
  • « Jean Deyrolle », coll., cat., Ed. Musée des Beaux-Arts de Quimper, 1979
  • « J. D. : Oeuvres sur papier », Georges Richar-Rivier, Ed. Musée des B.-A., Rennes, 1984
  • « Jean Deyrolle en éclats ou . . . », Georges Richar, Ed. Porte du Sud-Galarté, 1987
  • « Jean Deyrolle », coll., cat., Ed. Musée des Jacobins, Morlaix, 1987
To read from the artist :
  • « Entretien avec 17 peintres non-figuratifs », J. Grenier, Calmann-Lévy, 1963
  • « J. D. figuration et abstraction », Assoc. Campredon Art et culture, Gordes, 1991
Website :
deyrolle.ifrance.com/

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Art movements

+ NEW REALITIES / 1946-1956 / Etienne Béothy, Marcelle Cahn, etc.
All art movements

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Beyond works currently in stock, it seemed to me useful to combine business with pleasure by letting you discover others works by artists in my gallery. These artworks, now sold or removed from our website, have been in our stock in the past.

These pages will undoubtedly make it possible for some of you to associate an image with its title or the other way round, for others it will be a good time to discover more on such and such artist. For the sake of confidentiality – the pieces being no longer available – we won't display neither their numbering or their price. For whatever reason, make sure to visit this amazing art database with to date 6441 online works just for your pleasure! Michelle Champetier

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