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Georges Bru
Drawing orders! All the work consists in bringing the image to its higher level of intensity. Georges Bru
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- Georges Bru
The French draftsman and painter Georges Bru was born in Fumel (Lot-et-Garonne) in 1933. He spent his childhood and youth in Albi; he has lived in Toulon since 1976. Self-taught, he will be a drawing teacher in technical colleges for 15 years, then the next fifteen years at the Ecole supérieure d'Art Toulon-Provence-Méditarranée, until 1993, the age of retirement.
Le dessinateur et peintre Georges Bru, professeur de dessin aux beaux-arts de Toulon de 1976 jusqu’à sa retraite en 1993, est mort le 14 septembre 2023 à Toulon ; il avait 90 ans. L'artiste a été incinéré le lundi 18 septembre, après une cérémonie au crématorium de La Seyne. En son hommage, avec respect, ce coquelicot. "Le vertige repose sur le malaise. Le malaise couve sous le vertige. Bru creuse leur apogée respective. L’univers est d’enfermement mais Bru, magicien des surgissements arrêtés, a laissé une vague lumière de lune morte, et aucun battement de ciel pour la joie... Exhibant les dessous des cultures, Georges Bru étreint l’espace." - Christian Noorbergen "Un silence de demi-jour soyeux entoure ces personnages de nulle part ; tout est dans la finesse ou le feutré de ce non-dit ; ce qui est montré, c’est l’efficacité insidieuse et péremptoire du dessin." - Pierre Cabanne "Les visages lunaires, inexpressifs, vivent par les regards, obstinément fixés vers un ailleurs, chargés d'angoisse, de mélancolie ou de dureté." - Danièle Devynck "on univers n'est qu'à lui : peu de paysages; des êtres humains et parfois à moitié animaux dont la tête est privilégiée. Souvent vue de profil, elle cache le regard, mystérieusement inquiétant et, agressif, quand il est celui d'une bête. / . . . / Si l'on ne devait retenir qu'une seule impression du travail intimiste, original et dérangeant de Georges Bru, c'est sa suprême maîtrise du dessin qu'il conviendrait de souligner. " - Jean Roques "Le travail de Georges Bru, perpétré de silences, aura mûri sa vie en scrutant en lui des parts d'étrangeté sociale sans commune mesure avec le monde environnant. Un artiste à contre-courant des us et coutumes des arts de son temps, en explorateur infatigable de l'insondable qui gît sous le chapeau de l'individu. " - Roger Pierre Turine "Le crayon-scalpel que Bru manie au bout de son regard froid enveloppe ses humanoïdes sur papier teinté d’une sorte de flou qui glisse sur eux comme un nuage à fleur de peau. Un silence de demi-jour soyeux entoure ces personnages de nulle part ; tout est dans la finesse ou le feutré de ce non-dit ; ce qui est montré, c’est l’efficacité insidieuse et péremptoire du dessin." - Pierre Cabanne
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Biography of Georges Bru
The French draftsman and painter Georges Bru was born in Fumel (Lot-et-Garonne) in 1933. He spent his childhood and youth in Albi; he has lived in Toulon since 1976.
Self-taught, he will be a drawing teacher in technical colleges for 15 years, then the next fifteen years at the Ecole supérieure d'Art Toulon-Provence-Méditarranée, until 1993, the age of retirement.
"The lunar, inexpressive faces live on through the looks, stubbornly fixed towards an elsewhere, charged with anguish, melancholy or hardness," writes Danièle Devynck about the strange characters he represents; his universe is his own: few landscapes, human beings, sometimes half-animals whose heads are privileged. The absolute mastery of Georges Bru's drawing will be the mark of the work of this craftsman of the imaginary, at the same time intimate, original and disturbing.
"The line brought me to the traditional drawing, then with time was no longer necessary, becoming a work of chiaroscuro, "he said. The painter seduces by the grace and aestheticism of the drawing, sometimes also by his look on the monstrosity. One thinks of Dali, of this perfection of the line, of this outrageous surrealism which is none other than the realism of our imaginations. Through his works, Georges Bru plunges us into a mysterious, sometimes disturbing universe where man mingles with animal. Strange and singular work where the subjects come out of a misty beyond and bathed in a pale glow have a ghostly appearance.Georges Bru was supported by the Chave Gallery in Vence, which regularly defended his work by organizing numerous exhibitions.In 1993, the artist voluntarily gave up all travels, and practically never left Provence again. In 2000, a major retrospective of his work was organized at the Villa Tamaris in La Seyne-sur-Mer. With his pencil-scalpel, with this voluptuous precision, doesn't the artist look at the beings plunged in the silence like strange and worrying animals? Works by Georges Bru are part of collections in museums such as those in Bordeaux, Marseille, Toulon or Brussels.
2 work(s) available
Character vaguely...
Drawing
Character in profile
Drawing
Catalogue(s) raisonné(s)
Catalogue(s) raisonné(s)
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All the catalogues raisonnés
Bibliographic track & more
To read from or about the artist :
* Georges Bru : Dessins, peintures, cat. d'expo., Galerie Alphonse Chave, Vence, 1971.
* Catalogue d'une exposition Georges Bru à la Galerie J. Camion, Yves Hamon, Paris, 1974.
* Catalogue de l'exposition Georges Bru - Les Blasons du corps féminin, Patrick Reumaux, Galerie Mathias Fels, Paris, 1984.
* Georges Bru - Dessins, cat. d'expo., Patrick Reumaux, Galerie Alphonse Chave, Vence,1987.
* Catalogue de l'exposition Georges Bru - Chasse-pot, Musée Ingres, Montauban, 1989.
* Georges Bru - Cinquante dessins récents, cat. d'expo., Pierre Cabanne, Galerie Alphonse Chave, Vence, 1993.
* Catalogue de l'exposition Georges Bru – Trente ans après, Jean-Jacques Lévêque, Ed. Villa Tamaris - Centre d'Art, La Seyne-sur-Mer, 1997.
* Catalogue de l'exposition Georges Bru – Oeuvres sur papier, Bernard Noël, Ed. Musée Toulouse-Lautrec, Albi, 2000.
* Georges Bru, monographie, Robert Bonaccorsi, Ed. Villa Tamaris - Centre d'Art, La Seyne-sur-Mer, 2008.
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Georges Bru
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Some were created in lithographic technic, most are simple offset reproductions. They are many those who like collecting these rectangles of paper, monochrome or in games of colours, in matt paper or brilliant, with many words or almost dumb.
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